Fc (Side PEQ Cutoff [Hz]) .20...12.0k Sets the EQ center frequency f: Envelope Selector
the trigger signalWhen OL/R Mix� is selected for this parameter, the left and right
channels are linked to control the Limiter using the mixed signal. If Q (Q)...................................0.5...10.0 Sets the EQ bandwidth for the
trigger signalOL Only� (or OR Only�) is selected, the left and right channels are
linked, and the Limiter is controlled via only the left (or right) chan-
Gain (Gain [dB])........... �18.0...+18.0 Sets the EQ gain for the trigger
signalnel.
With OIndivi�, the left and right channels control the Limiter indi-
vidually.
: Ratio, : Threshold [dB], : Gain Adjust [dB]
This parameter sets the signal compression ORatio�. Compression is
applied only when the signal level exceeds the OThreshold� value.
In the case of the limiter, applying compression will lower the over-
all level, so you should use OGain Adjust� to make adjustments.
: Attack, : Release
These parameters set the attack time and release time. A higher
attack time will cause the compression to be applied more slowly.
: Side PEQ Insert, : Side PEQ Cutoff [Hz], : Q, : Gain [dB]
These parameters are used to set the EQ applied to the trigger signal.
The Limiter determines whether the compression is applied, based
on the post-EQ trigger signal. Setting the equalizer allows you to set
the Limiter to respond to any frequency band.
: Trigger Monitor
Setting this parameter OOn� will cause the trigger signal to be out-
put, instead of the effect sound. Use this parameter to check the trig-
ger signal with EQ applied.
Usually, set this to OOff.�
23: DY3: Multiband Limiter
This effect applies the Limiter to the low range, mid range, and
high range of the input signal. You can control dynamics for
each range to adjust the sound pressure of the low range, mid
range, and high range in a different way from the EQ.
Ratio (Ratio)........ 1.0:1...50.0:1, Inf:1 Sets the signal compression ratio
Thrshl (Threshold [dB]).......... �40...0 Sets the level above which the
compressor is applied
Attack (Attack)........................ 1...100 Sets the attack time
Relse (Release)..................... 1...100 Sets the release time
LoOfst (Low Offset [dB]) ........ �40...0 Sets the low range gain of trigger
signal
MdOfst (Mid Offset [dB])........ �40...0 Sets the mid range gain of trigger
signal
HiOfst (High Offset [dB])........ �40...0 Sets the high range gain of trig-
ger signal
GLevel (Gain Adjust [dB]) .......Sets the output gain�Inf, �
38...+24
Mix (Wet/Dry)....Dry, 1:99...99:1, Wet Sets the balance between the
effect and dry sounds
: Low Offset [dB], : Mid Offset [dB], : High Offset [dB]
These parameters set the gain of the trigger signal.
For example, if you do not want to apply compression to the high
range, reduce the OHigh Offset� value down below the OThreshold�
level. In this way, the high range limiter will not respond, and com-
pression will not be applied.
24: DY4: St.Gate (Stereo Gate)
This effect mutes the input signal if its level is lower than the
speciŢed level. It also reverses the on and off operation of the
gate, and uses Note On and Off messages to turn the gate on
and off.
Envelp (Envelope Select)...L/RMix, Selects from Control via the mod-L
Only,ulation source, mixing the left and
R Onlyright signals, Only left, and Only
right
Polrty (Polarity) ...........................+, � Switches between non-reversed
and reversed Gate on/off
Thrshl (Threshold) ................. 0...100 Sets the level to which the Gate
is applied
Attack (Attack)........................ 1...100 Sets the attack time
Relse (Release)..................... 1...100 Sets the release time
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ACEC
